Crystal Arcade

The Crystal Arcade during its heyday. © Arquitectura Manila Photo File

The Philippine capital of Manila was a city of high stature, comparable to those fine cities of the Occident such as Paris, London, and Madrid. The pre-war years have given Manila to acclaim itself as the 'Most Beautiful City in the Far East' whilst Manila's neighbors, Hong Kong, Jakarta, Kuala Lumpur, and Singapore, were backwater outposts of their colonial masters. This is proven by the influx of European migrants and expatriates to the city in the first half of the 20th century. Germans, Spaniards, Americans, British, French, and Russians made Manila their home, at least, until the end of the Second World War. These migrants and expatriates mingled with the Philippine alta sociedad and had the city developed from a medieval Spanish city into a progressive capital of a semi-independent nation.

Shopping around the city is one of the best things to do in Manila. Long before the existence of modern Philippine shopping mall complexes such as Rustan's, Shoemart, Robinson's, and Ayala, the Crystal Arcade is considered the first shopping mall in the Philippines.

Façade of the Crystal Arcade. © Lougopal.com/Manila Nostalgia

The Crystal Arcade was one of the most modern buildings located along the Escolta, the country's then premier business district. Built on the land owned by the Pardo de Tavera family, an illustrious Filipino family of Spanish and Poruguese lineage, the modern building was designed by the great Andrés Luna de San Pedro, a scion of the latter. The Crystal Arcade was designed in the art deco style, a style prevalent in the 1920s to the 1940s. It was to be one of Luna's masterpieces, with the building finish resembled that of a gleaming crystal. 

The conception of a construction of the Crystal Arcade started in the 1920s as a pet project of Luna. Luna wanted to have the same prestige in the arts and architecture like that of his father, the great revolutionary-painter Juan Luna Novicio. To make such thing possible, he infused the sleek and streamline art deco design with crytal-like glass in his design for the building. 

Andrés Luna de San Pedro (1887-1952) © Lougopal.com/Manila Nostalgia

The Crystal Arcade was inaugurated in June of 1932, and was the first shopping establishment, or the first commercial establishment that was fully air-conditioned. Its interiors reminded the Philippine elite of the arcades that of Paris, with covered walkways, glass covered display windows and cafés and other specialty shops.

Crystal Arcade interior, adorned with a pair of grand staircases. © Manila Nostalgia/Carmelo Mosqueda 

Inside the Crystal Arcade, one can find the home of the first Manila Stock Exchange, the precursor to today's Philippine Stock Exchange.

 A typical trading day at the Manila Stock Exchange inside the Crystal Arcade. 

According to sources, the Crystal Arcade was used to be owned by its architect, the great Andrés Luna de San Pedro, probably due to the land being owned by his maternal family, the Pardo de Taveras, but was foreclosed by its creditor, the El Hogar Filipino, due to the financial situation that came about during the Wall Street crash and the Great Depression in the late 1920s to the early 1930s. The Crystal Arcade was also planned to have more floors but was eventually scrapped because of lack of funds. 

When the Crystal Arcade opened in 1932, it was the most elegant building in the area as it was constructed with glass which illuminates like crystal at night. Its interiors were also as elegant as the exterior, showing art deco lines and motifs. 

"The Arcade had a mezzanine on both sides of a central gallery that ran through the length of the building and expanded at the center to form a spacious lobby containing curved stairways. Stairs, balconies, columns and skylight combined to create vertical and horizontal movement, as well as a play of light and shadow in the interior. Art deco bays pierced by a vertical window marked each end of the façade and complemented the tower over the central lobby. Wrought-iron grilles and stucco ornaments were in the art deco style featuring geometric forms, stylized foliage, and diagonal lines and motifs." (excerpt from Philippine Politics and Society in the Twentieth Century: Colonial legacies, post-colonial trajectories)

Escolta in 1937. The Crystal Arcade is on the left of the photo. © Lougopal.com/Manila Nostalgia

In 1941, the Second World War came to the Philippines only hours after Pearl Harbor was bombed. The capital city, Manila, was also bombed by the invading Japanese forces causing damage to the city. The following year, in January, triumphant Japanese forces entered the city despite of it being declared an open city. During the occupation years, the Crystal Arcade was home to Japanese occupation agencies such as the Japanese Government Railways and the Board of Tourist Industry. 

The year 1945, for those who lived in Japanese-occupied Manila, was probably the most traumatic and devastating year. In the months of February and March saw the most bitter fighting in all of the Pacific. Sixteen thousand (16,000) fanatical Imperial Japanese Navy soldiers fought American and Filipino forces to the last man, bringing with them about one hundred thousand (100,000) civilians massacred. The effect of this bitter fighting resulted in the near-total destruction of the City of Manila. More than eighty (80) percent of the city's structures were obliterated, many of them into extinction. The Crystal Arcade, located along the Escolta, was one of the casualties of war, Escolta being one of the areas of fierce combat.

A heavily damaged Crystal Arcade taken immediately after the liberation for Manila. © George Mountz Collection

Shelled-out interiors of the Crystal Arcade. © Lougopal.com/Manila Nostalgia

Immediately after the liberation of Manila, businesses soon opened even its locations were in shambles. In the Crystal Arcade, businesses reopened and some new businesses found a home in the Crystal Arcade. Only the first floor was occupied with stores and the second floor being a bodega, or storage room of the tenants. Eventually, in the 1960s, the Crystal Arcade was demolished to pave way for the post-war revival of the Escolta. Its successor, the new Philippine National Bank Building, designed by Carlos Argüelles, replaced the Crystal Arcade, the Lyric Theater, and the Brias Roxas Building.

A.M. Shorts: Salvador Araneta and Victoria López Residence

'Victoneta I', the Salvador Araneta and Victoria López residence in Mandaluyong. Ⓒ Manila Nostalgia/Derrick Manas

Manila's pre-war homes were some of the most beautiful in the Far East, for the city was host to landed families of Spanish, Chinese, and American descents. These stately homes got an upper hand location-wise, in which some of the houses were built either in the Spanish enclave of San Miguel or at the new American area of Ermita. But this is not always the case. Some families actually chose to build their homes outside of the city, where one can feel the cool breeze of the wind. An example of this was in Mandaluyong, a town not far from Manila, where the 'Victoneta' was built.

The 'Victoneta I', owned by the aristocratic couple Salvador Araneta and Victoria López de Araneta, was one of the stately homes built outside the city. Built in 1933 by three architects, namely Domingo Lerma, and the greats Juan Arellano and Andrés Luna de San Pedro, the Victoneta won the title 'Most Beautiful Home of 1933' because of Doña Victoria's luxurious taste. The house boasts a number of feats: the Victoneta had thirty-three rooms, making it one of the largest houses in the city, it had a private chapel with its own entrance, and was designed by three architects in different phases because of its massive size.

Doña Victoria López and Don Salvador Araneta. Ⓒ Manila Nostalgia/Isidra Reyes 

Don Salvador Araneta Zaragoza is the son of Don Gregorio Araneta Soriano. Both are members of the illustrious Spanish-Filipino Araneta family, whose roots hail from Gipuzkoa in the Basque Country of Spain. Doña Victoria López was a member of the López sugar barons of Iloilo, where her first cousin Don Eugenio López Hofileña was one of the country's richest men during the post-war years.

Note: Names are written in standard Spanish naming custom. Spanish names are written without the Filipino 'y'. So, for males (or single females), it would be [given name][paternal family name][maternal family name]. For married females, it would be [given name][paternal family name][maternal family name]de[husband's family name]. For widows, it would be [given name][paternal family name][maternal family name]vda.de[husband's family name].

One of Victoneta's many patios and gardens. © Manila Nostalgia/Isidra Reyes

Victoneta's chapel entrance. Ⓒ Manila Nostalgia/Isidra Reyes

As stated earlier, the Victoneta was built in 1933 by architects Domingo Lerma, Juan Arellano and Andrés Luna de San Pedro using the Hispano-Moresque-Mediterranean styles of architecture. Because of its grandeur, it won the title 'Most Beautiful Home of 1933'. Located on a 17,000 square meter property in Mandaluyong, Victoneta was a portmanteau of the names Victoria and Araneta, the names of the house owners. One of Victoneta's features was the chapel. The chapel had intricate seats whose interiors were designed by the great Andrés Luna de San Pedro. 

Chapel interiors of the Victoneta designed by Andrés Luna de San Pedro. Ⓒ Manila Nostalgia/Isidra Reyes 

An overview of the grand sala. © Manila Nostalgia/Isidra Reyes

The Victoneta had a lot of rooms because of Doña Victoria López de Araneta's tastes. The house had a very large sala, or living room, where the Aranetas had the great Fernando Amorsolo commission a painting for them entitled 'The First Baptism in the Philippines'. Unfortunately, the painting, along with the rest of the house, were destroyed during the liberation of Manila in 1945. 

One of the bedrooms at Victoneta. Ⓒ Manila Nostalgia/Isidra Reyes

Victoneta's grand sala. A massive painting commissioned to Fernando Amorsolo hangs on its walls. Ⓒ Manila Nostalgia/Isidra Reyes

The war years were a time of hardship for the Araneta couple. It has been said that the Japanese had been eyeing the house because of its sprawling property. The Aranetas vacated the house after it was confiscated by the Japanese, and left Manila for Baguio to be with the other Araneta and López family members. In 1945, the Victoneta was used as a refugee center where around seventy civilians were interred. As the combined Filipino and American forces were closing in to Manila, the Japanese had a bomb planted inside the chapel. Unfortunately, the bomb went off after a Filipino refugee accidentally detonated it. All of the refugees inside were instantly killed.  

Victoneta's dining area. © Manila Nostalgia/Isidra Reyes

 Victoneta's chapel lay in ruins after the liberation of Manila in 1945. Ⓒ Isidra Reyes/Edwina Litton Ortigas

After the war, Don Salvador and Doña Victoria had decided not to rebuild the Victoneta, due to the reason that many lives were killed inside. Instead, the Araneta couple abandoned the property and relocated to Malabon, where another house also named Victoneta stood. 

Victoneta in ruins. Ⓒ Manila Nostalgia/Edwina Litton Ortigas

The original Victoneta just laid in ruins for decades after 1945. The ruins were finally demolished recently.

Pérez Samanillo Building

The Pérez Samanillo Building during the early pre-war years. Ⓒ Manila Nostalgia/Isidra Reyes

The City of Manila was a very lively city, filled with theaters, clubs, restaurants, parks, beautiful residential homes, and magnificent office buildings. The city would not become the best in the Orient if not for its diverse population, a city and a nation filled with many nationalities such as Filipino, Spanish, American, British, Japanese, Chinese, German, etc. Because Manila was the center of economic activity in the Philippines, massive edifices were built to house institutions that are drivers of growth. In pre-war Manila, architects had to push their creativity skills as the city demanded too much buildings to be built in designs that will stand out.

The magnificent thoroughfare of the Escolta, once the seat of economic and social activity, would not be complete with the addition of the ornate Pérez Samanillo Building standing proud on its fine sidewalks.

The Pérez Samanillo Building (right), together with the old Roxas Building (now the Regina Building, left) during the late 1920s. Ⓒ Manila Nostalgia/Lou Gopal

The Pérez Samanillo Building, originally called the Edificio Luis Pérez Samanillo, sits along the Escolta and Calle David. The building, together with the Regina Building across the street, serves as entry to the Escolta from Plaza Goiti in Sta. Cruz. Built in 1928, the Pérez Samanillo was designed in the art-deco/art-nouveau style through the partnership of the great architects Andrés Luna de San Pedro and Juan F. Nakpil de Jesús. The owner of the building is its namesake, Don Luis Pérez Samanillo, a Spanish businessman whose father, Don Manuel Pérez Marqueti, was credited for the developent of Paco in the 19th century. The Pérezes owned the famed Hotel de Oriente at the Plaza Calderón de la Barca, the hotel where Dr. José Rizal stayed when he was in Manila, and the Casa Pérez Samanillo in Barcelona, where it was reported that the Caudillo Generalissimo Francisco Franco Bahamonde witnessed the 'Victory Parade' after the Spanish Civil War. 

The Pérez family suffered ill-fated events as the patriarch, Don Luis Pérez Samanillo was killed by the communists during the Spanish Civil War, and his son, Luis Pérez de Olaguer-Feliú was killed by the Japanese in Manila during the Second World War.  

Don Luis Pérez Samanillo, owner and namesake of the Pérez Samanillo Building. Ⓒ Calameo.com

The building stands at the former property then-owned by Don Manuel de Azcárraga Palmero-Versosa de Lizárraga, brother of Gral. Marcelo de Azcárraga Palmero-Versosa de Lizárraga, the only Spanish Prime Minister of Filipino descent. 

Note: Names are written in standard Spanish naming custom. Spanish names are written without the Filipino 'y'. So, for males (or single females), it would be [given name][paternal family name][maternal family name]. For married females, it would be [given name][paternal family name][maternal family name]de[husband's family name]. For widows, it would be [given name][paternal family name][maternal family name]vda.de[husband's family name]

An advertisement for the Pérez Samanillo Building featured in a pre-war magazine called Excelsior. Another advertisement of the same layout was published, but in Spanish. Ⓒ Manila Nostalgia/Isidra Reyes

The building was one of the most modern in its time, owing to the building's glass façade. As a family-owned property, the building housed the offices of the Pérez Samanillo business operations in the Philippines, which was operated by Don Luis Pérez Samanillo's son Luis Pérez de Olaguer-Feliú. Another interesting tenant of the Pérez Samanillo Building was Berg's, a pre-war department store and one of the city's largest. One can find imported toys, lastest fashion trends at Berg's. Berg's was located on the south-east of the building, facing Estero de la Reina and Plaza Goiti. Also, the Spanish Consulate in Manila had its offices in the building.

The liberation of the city in 1945 obliterated most of downtown Manila's buildings. Luckily, the twin Luna masterpieces, the Regina Building and the Pérez Samanillo Building were spared from further destruction and only suffered minor damages. 

The twin Luna masterpieces, the Regina (left) and the Pérez Samanillo Building (right) suffered minor damages after the Battle of Manila in 1945. Ⓒ Photobucket/raphaelmempin

As the post-war years came, business and commerce were again flourishing in the Escolta area. Berg's Department Store was reopened and continued its operations. The Pérez Samanillo was rebuilt but with less embellishments. The ornaments on its top floor were removed to make way for the construction of a sixth level.  

Berg's Department Store during the 1950s. Ⓒ Flickr/John Tewell

Berg's Department Store on the ground floor of the Pérez Samanillo Building. Photo taken sometime in the 1950s. Ⓒ Manila Nostalgia/Isidra Reyes

Today, the Pérez Samanillo Building is now renamed as the First United Building after it was purchased by the Sylianteng family, the same family who bought the Regina Building across the street. The building is also where art collab organization called 98B holds their Saturday Market Fairs. Also, a couple years ago, an initiative called 'Hola Escolta' was launched to help promote the Escolta as a tourist destination.

The Pérez Samanillo's ornate staircase. Ⓒ Manila Nostalgia/Isidra Reyes

We at A.M. fully support the initiatives done by all sectors of society in reviving the historic Escolta. Any rehabilitation and resurrection of the Escolta will be gladly supported by our team at A.M.. We just hope that the rehabilitation of the Escolta would not make use of demolition as a tool of 'development' and modernization, but rather make use of existing structures to preserve the glorious architecture that the city is proud to have.

The Pérez Samanillo Building in the present time. Ⓒ Mole In The Foot via Arquitectura Manila Photo File

Regina Building

The Regina Building along the Escolta, c. 2014. Ⓒ Flickr/mrbinondo

We all know that the pre-war City of Manila was considered as the best city in the Far East, at par with those in Europe and in the Americas. Visitors who came into the city were amazed on what the city has to offer. In fact, when the Japanese paraded their troops in Manila, they were envious that Manila was way more beautiful than their own Tokyo. We owe our gratitude not only to the people who worked hard to make the Pearl of the Orient Seas one of the best, but we also have to recognize the structures that made our city unique. 

The pre-war business districts of Binondo and Sta. Cruz boast a number of beautiful office buildings. One of these buildings is the famed Regina Building along the famed Escolta. 

The predecessor of the Regina Building, the old Edificio Roxas on the corner of the Escolta and Calle Banquero facing Plaza Sta. Cruz. Photo taken sometime in 1905. Ⓒ Manila Nostalgia/Isidra Reyes

Before the present Regina Building was built, another building stood on its location. The old Roxas Building was located opposite the Pérez-Samanillo Building, occupying a block from Calle David (now Burke St.) to Calle Banquero. The building had two wings, with the concrete building facing Calle David and the Pasig which was occupied by the offices of the Roxas y Cía, and Pedro P. Roxas y Cía. The other wing faces the Estero de la Reina and Plaza Sta. Cruz which a quaint coffee shop called Victoria Café occupies. The owners of the old Roxas Building were the de Ayala-Roxas family, specifically Doña Carmen de Ayala Roxas de Roxas, widow of rich man-nationalist Don Pedro Pablo Roxas Castro. 

Note: Names are written in standard Spanish naming custom. Spanish names are written without the Filipino 'y'. So, for males (or single females), it would be [given name][paternal family name][maternal family name]. For married females, it would be [given name][paternal family name][maternal family name]de[husband's family name]. For widows, it would be [given name][paternal family name][maternal family name]vda.de[husband's family name].

Pre-war map of the Escolta-Binondo business district. The concrete Roxas Building is on the top right hand side (24), while the old building is the letter 'L'. Ⓒ Manila Nostalgia/Lou Gopal via John Harper

Da. Carmen de Ayala Roxas vda. de Pedro P. Roxas Castro, heiress to the Roxas-de Ayala fortune and owner of the old Roxas Building. Ⓒ Ayala Corporation

The de Ayala-Roxas matriarch and heiress Doña Carmen de Ayala Roxas de Roxas died in 1930. As a result, the Roxas family sold the property to Don José Leoncio de León, a prominent industrialist from Pampanga. The old structure facing the estero was demolished and was replaced by a concrete building.

The old and new Roxas Buildings (left) in the 1920s. The old bahay na bato building has been renovated (the previous photo shows that the house had a third storey). The newer building facing Calle David can be seen at the back of the old building. Ⓒ Manila Nostalgia/Lou Gopal

The Regina and the Pérez-Samanillo Buildings act as the entrance to the Escolta from Plaza Sta. Cruz. Ⓒ The Philippine Star

The building was designed by two architects, Fernando H. Ocampo, and the great Andrés Luna de San Pedro. Ocampo was credited in designing and renovating the existing concrete building while Luna was the one who designed the new building facing the estero and Plaza Sta. Cruz. One of the tenants of the building was Pacific Motors, dealer of General Motors vehicles in Manila.

Pacific Motors dealership at the Regina Building facing the Pasig along Muelle del Banco Nacional. Ⓒ University of Wisconsin-Madison Libraries

The before and after photos of the renovation of the Roxas Building. Ⓒ Arkitekturang Filipino via Isidra Reyes

In 1934, the new building was completed. Designed in a mixed neo-classical and beaux-arts styles by Andrés Luna de San Pedro. The new building annexed the old building facing the Pasig. The building was renamed as the Regina, in honor of José Leoncio de León's wife, heiress Regina Joven Gutiérrez Hizon de León. The building became the offices of the de León businesses of Pampanga Sugar Development Co. (PASUDECO) and National Life Insurance Co.

The war in 1945 brought destruction to the city. The block-by-block, street-by-street, building-by-building, and room-by-room fighting lost more than 80 percent of the city's structures, with the Escolta-Binondo business area inflicting the most damage. Unfortunately, the Regina was not spared in the battle. However, it only had minor damages and was repaired afterwards.

The Regina Building (left), and the Pérez-Samanillo Building (right) partially damaged during the Liberation of Manila in 1945. Ⓒ Photobucket

The post-war years saw a new era for the Regina Building. Most of the de León businesses were housed in the Regina and its sister property, the Natividad Building. Today, the building is still owned by the heirs of Don José Leoncio de León of the PASUDECO wealth.

        The Regina Building during the 1950s. Ⓒ Lougopal.com/Manila Nostalgia

An express of interest over Escolta's rehabilitation as a tourist spot was raised after the victory of incumbent mayor of Manila Joseph Estrada. Also, a tour entitled #VivaManila was conceived by celebrity tour guide/activist Carlos Celdran. He aims to restore the former glory of Manila's historic districts, which includes the Escolta-Binondo business area. We at A.M. fully support the plans of the city government of Manila in restoring of not only of the Escolta, but the rehabilitation of the city as a whole.

The Regina Building in 2006. Ⓒ Heritage Conservation Society

A.M. Shorts: E.A. Perkins Residence

 'El Nido', the Eugene Arthur Perkins residence along Dewey Boulevard in Ermita. Ⓒ Manila Nostalgia/Lou Gopal

In pre-war Manila, houses of illustrious families were designed by well-known architects according to their elegant tastes. Their homes were either designed in the renaissance, art-deco, beaux-arts, or the traditional Filipino bahay na bato style. But one house stood out among the rest, and this was the El Nido, the residence of Eugene Arthur 'E.A.' Perkins, and his wife Idonah Slade. The house and the family became the center of intrigue among Manila's high society because of domestic quarrels between Eugene and Idonah.

The owner of the house, E.A. Perkins, was the first American envoy to the Royal Court of Siam (Thailand's counterpart of the Royal Court of St. James). Born in Bangkok in 1888, he went to Manila and became a partner of the law firm DeWitt, Perkins, and Brady. In 1935, Sen. Juan Ponce Enrile's father Alfonso Ponce Enrile joined the firm and was renamed DeWitt, Perkins, Brady, and Ponce Enrile. Their law firm was located in Edificio Soriano (formerly as the Geronimo de los Reyes Building) in Plaza Cervantes. 

E.A. Perkins (right), checking the shipment of Lepanto gold with Hong Kong and Shanghai Bank manager W. Webster (right) in 1949. Ⓒ Lougopal.com/Manila Nostalgia

The Perkins residence was designed by the great Andrés Luna de San Pedro in the Moorish Mediterranean style. The house, which faces the Manila Bay, was located in the residential section of Ermita, where homes of prominent Filipino and expatriate families once stood. As their home stood out among the rest, it won the title of The 'Most Beautiful Home of 1928', a year before the Zóbels won theirs a year later.

Dewey Boulevard and its environs in the 1920s. the El Nido was located at the corner of Dewey Boulevard and Calle Divisoria (now Salas St.). Ⓒ Lougopal.com/Manila Nostalgia

  The penthouse living room of the Perkins residence in Ermita. Ⓒ Manila Nostalgia/Isidra Reyes

One of the rooms inside the El Nido. Ⓒ Manila Nostalgia/Isidra Reyes 

When the Philippines became a commonwealth in 1935, the American governor-general had moved out of Malacañang Palace and was replaced by a High Commissioner (an equivalent of an ambassador). The High Commissioner was in need of his own residence. So, in 1937 when the newly-appointed High Commissioner Paul V. McNutt arrived in Manila, Attorney E.A. Perkins offered his El Nido to be McNutt's home until a permanent residence for the High Commissioner is finished. 

President Manuel L. Quezón (left) enjoying cigarettes with American High Commissioner Paul V. McNutt (right). Ⓒ Jweekly.com

In the 1950s, shortly before E.A. Perkins died, he sold his property. The new owner had the El Nido demolished and was replaced by an apartment known as the L&S Building, which was designed by Alfredo Luz. 

A.M. Shorts: Jacobo Zóbel and Ángela Olgado Residence

'La Casona', Jacobo and  Ángela Zóbel's residence in Ermita. Ⓒ Manila Nostalgia/Isidra Reyes

The pre-war years showed elegant tastes in living the high life, that is, because, due to the growing alta sociedad of the country. Long before the five-star hotels mushroomed throughout the city of Manila, events are held at home. Because homes are to be well-maintained and designed, as it is to 'dress to impress', Philippine socialites' homes are at par of those homes overseas, such as those in Beverly Hills and Bel-Air in Los Angeles. 

One home stood out in the then-residential section of Ermita, the home of Don Jacobo Zóbel de Ayala and his wife, the beautiful Ángela Olgado, called 'La Casona'. 

Don Jacobo Zóbel de Ayala Roxas is the eldest son of pre-war industrialist and philanthropist Don Enrique Zóbel y de Ayala from his first wife, Consuelo Roxas  de Ayala de Zóbel. Don Jacobo is also the father of the late Don Enrique 'EZ' Zóbel Olgado, former Ayala Corporation chairman. Don Jacobo's wife, Doña Ángela Olgado Calvo de Zóbel was considered as one of the most beautiful women in the pre-war years. The Olgado clan has been in the Philippines for quite a while, marrying other Spanish-Filipino families such as Doña Ángela Olgado's sister Doña Pilar Olgado Calvo de Roxas, wife of former Casino Español de Manila president Don Eduardo Roxas Gargollo and mother of present Roxas & Company CEO Pedro Emilio Roxas Olgado.

Note: Names are written in standard Spanish naming custom. Spanish names are written without the Filipino 'y'. So, for males (or single females), it would be [given name][paternal family name][maternal family name]. For married females, it would be [given name][paternal family name][maternal family name]de[husband's family name]. For widows, it would be [given name][paternal family name][maternal family name]vda.de[husband's family name].

     

TWO POWERHOUSES: Col. Jacobo Zóbel de Ayala Roxas (left), and his wife Doña Ángela Olgado Calvo de Zóbel (right). Ⓒ Manila Nostalgia/Isidra Reyes

The house was located in the residential area of Ermita, though some sources, such as the Cornejo's Commonwealth Directory of the Philippines, states that Don Jacobo's home address is at Calle M.H. del Pilar in Malate. Moving on, the home was designed by Andrés Luna de San Pedro, who also designed his brother Alfonso's mansion along Dewey Boulevard.

One of the interesting features of the house is the use of awnings. Since the Philippines is a tropical country where it is hot and humid most of the year, it was a smart move to use striped awnings. Because of Doña Angelita's very elegant taste in design, their house was entitled as the 'Most Beautiful Home of 1929'.

Combat for the liberation of the city took place in 1945, which virtually wiped out 80 percent of the city's edifices. The war took a toll on the Zóbel de Ayala family as they were with no cash, though the family still has some assets under their control. To compensate what they have lost, the Zóbels sold their homes, which included the La Casona. The house of Col. Jake and Doña Ángelita was used as the British Embassy after the war. 

The La Casona, probably taken after the war. Ⓒ Manila Nostalgia/Isidra Reyes 

Sadly, the house has already been demolished, and we at A.M. hope that elegant pre-war houses should be under protection of the NCCA and NHCP.